Books published by publisher Michigan State University Press

Like Dylan Thomas' Under Milk Wood and Sherwood Anderson's Winesburg, Ohio, Brian Doyle's stunning fiction debut brings a town to life through the jumbled lives and braided stories of its people. In a small fictional town on the Oregon coast there are love affairs and almost-love-affairs, mystery and hilarity, bears and tears, brawls and boats, a garrulous logger and a silent doctor, rain and pain, Irish immigrants and Salish stories, mud and laughter. There's a Department of Public Works that gives haircuts and counts insects, a policeman addicted to Puccini, a philosophizing crow, beer and berries. An expedition is mounted, a crime committed, and there's an unbelievably huge picnic on the football field. Babies are born. A car is cut in half with a saw. A river confesses what it's thinking. . . It's the tale of a town, written in a distinct and lyrical voice, and readers will close the book more than a little sad to leave the village of Neawanaka, on the wet coast of Oregon, beneath the hills that used to boast the biggest trees in the history of the world.

Like Dylan Thomas’ Under Milk Wood and Sherwood Anderson’s Winesburg, Ohio, Brian Doyle’s stunning fiction debut brings a town to life through the jumbled lives and braided stories of its people.In a small town on the Oregon coast there are love affairs and almost-love-affairs, mystery and hilarity, bears and tears, brawls and boats, a garrulous logger and a silent doctor, rain and pain, Irish immigrants and Salish stories, mud and laughter. There’s a Department of Public Works that gives haircuts and counts insects, a policeman addicted to Puccini, a philosophizing crow, beer and berries. An expedition is mounted, a crime committed, and there’s an unbelievably huge picnic on the football field. Babies are born. A car is cut in half with a saw. A river confesses what it’s thinking…It’s the tale of a town, written in a distinct and lyrical voice, and readers will close the book more than a little sad to leave the village of Neawanaka, on the wet coast of Oregon, beneath the hills that used to boast the biggest trees in the history of the world.

The Pokagon Band of Potawatomi Indians has been a part of Chicago since its founding. In very public expressions of indigeneity, they have refused to hide in plain sight or assimilate. Instead, throughout the city’s history, the Pokagon Potawatomi Indians have openly and aggressively expressed their refusal to be marginalized or forgotten—and in doing so, they have contributed to the fabric and history of the city.Imprints: The Pokagon Band of Potawatomi Indians and the City of Chicago examines the ways some Pokagon Potawatomi tribal members have maintained a distinct Native identity, their rejection of assimilation into the mainstream, and their desire for inclusion in the larger contemporary society without forfeiting their “Indianness.” Mindful that contact is never a one-way street, Low also examines the ways in which experiences in Chicago have influenced the Pokagon Potawatomi. Imprints continues the recent scholarship on the urban Indian experience before as well as after World War II.

A Clan Mother story for the twenty-first century, Sacred Wilderness explores the lives of four women of different eras and backgrounds who cometogether to restore foundation to a mixed-up, mixed-blood woman--a womanwho had been living the American dream, and found it a great maw ofemptiness. These Clan Mothers may be wisdom-keepers, but they areanything but stern and aloof--they are women of joy and grief, riskingtheir hearts and sometimes their lives for those they love. The novelswirls through time, from present-day Minnesota to the Mohawk territoryof the 1620s, to the ancient biblical world, brought to life by anindigenous woman who would come to be known as the Virgin Mary. The Clan Mothers reveal secrets, the insights of prophecy, and stories that areby turns comic, so painful they can break your heart, and perhaps evenpowerful enough to save the world. In lyrical, lushly imagined prose, Sacred Wilderness is a novel of unprecedented necessity.

A Clan Mother story for the twenty-first century, Sacred Wilderness explores the lives of four women of different eras and backgrounds who come together to restore foundation to a mixed-up, mixed-blood woman--a woman who had been living the American dream, and found it a great maw of emptiness. These Clan Mothers may be wisdom-keepers, but they are anything but stern and aloof--they are women of joy and grief, risking their hearts and sometimes their lives for those they love. The novel swirls through time, from present-day Minnesota to the Mohawk territory of the 1620s, to the ancient biblical world, brought to life by an indigenous woman who would come to be known as the Virgin Mary. The Clan Mothers reveal secrets, the insights of prophecy, and stories that are by turns comic, so painful they can break your heart, and perhaps even powerful enough to save the world. In lyrical, lushly imagined prose, Sacred Wilderness is a novel of unprecedented necessity.

The Pokagon Band of Potawatomi Indians has been a part of Chicago since its founding. In very public expressions of indigeneity, they have refused to hide in plain sight or assimilate. Instead, throughout the city’s history, the Pokagon Potawatomi Indians have openly and aggressively expressed their refusal to be marginalized or forgotten—and in doing so, they have contributed to the fabric and history of the city.Imprints: The Pokagon Band of Potawatomi Indians and the City of Chicago examines the ways some Pokagon Potawatomi tribal members have maintained a distinct Native identity, their rejection of assimilation into the mainstream, and their desire for inclusion in the larger contemporary society without forfeiting their “Indianness.” Mindful that contact is never a one-way street, Low also examines the ways in which experiences in Chicago have influenced the Pokagon Potawatomi. Imprints continues the recent scholarship on the urban Indian experience before as well as after World War II.

The St. Lawrence Seaway was considered one of the world's greatest engineering achievements when it opened in 1959. The $1 billion project-a series of locks, canals, and dams that tamed the ferocious St. Lawrence River-opened the Great Lakes to the global shipping industry.Linking ports on lakes Superior, Michigan, Huron, Erie, and Ontario to shipping hubs on the world's seven seas increased global trade in the Great Lakes region. But it came at an extraordinarily high price. Foreign species that immigrated into the lakes in ocean freighters' ballast water tanks unleashed a biological shift that reconfigured the world's largest freshwater ecosystems.Pandora's Locks is the story of politicians and engineers who, driven by hubris and handicapped by ignorance, demanded that the Seaway be built at any cost. It is the tragic tale of government agencies that could have prevented ocean freighters from laying waste to the Great Lakes ecosystems, but failed to act until it was too late. Blending science with compelling personal accounts, this book is the first comprehensive account of how inviting transoceanic freighters into North America's freshwater seas transformed these wondrous lakes.

Winner of 2013 John Burroughs Association Riverby Award Honorable Mention After a huge tree crashes to the ground during a winter storm, ten-year-old Ellie and her new friend, Ricky, explore the forest where Ellie lives. Together, they learn how trees provide habitat for plants and animals high in the forest canopy, down among mossy old logs, and deep in the pools of a stream. The plants, insects, birds, and mammals they discover come to life in colored pen-and-ink drawings. An engaging blend of science and storytelling, Ellie’s Log also features: • Pages from Ellie’s own field notebook, which provide a model for recording observations in nature • Ellie’s advice to readers for keeping a field notebook • Ellie’s book recommendations Online resources for readers and teachers—including a Teacher’s Guide—are available at ellieslog.org.

Banned in Vietnam until 1986, Dumb Luck--by the controversial and influential Vietnamese writer Vu Trong Phung--is a bitter satire of the rage for modernization in Vietnam during the late colonial era. First published in Hanoi during 1936, it follows the absurd and unexpected rise within colonial society of a street-smart vagabond named Red-haired Xuan. As it charts Xuan's fantastic social ascent, the novel provides a panoramic view of late colonial urban social order, from the filthy sidewalks of Hanoi's old commercial quarter to the gaudy mansions of the emergent Francophile northern upper classes. The transformation of traditional Vietnamese class and gender relations triggered by the growth of colonial capitalism represents a major theme of the novel. Dumb Luck is the first translation of a major work by Vu Trong Phung, arguably the greatest Vietnamese writer of the twentieth century. The novel's clever plot, richly drawn characters and humorous tone and its preoccupation with sex, fashion and capitalism will appeal to a wide audience. It will appeal to students and scholars of Vietnam, comparative literature, colonial and postcolonial studies, and Southeast Asian civilization. Vu Trong Phung died in Hanoi, in 1939 at the age of twenty-seven. He is the author of at least eight novels, seven plays, and several other works of fiction in addition to Dumb Luck. Peter Zinoman is Associate Professor of Southeast Asian History, University of California, Berkeley. Nguyen Nguyet Cam is Vietnamese Language Instructor, University of California, Berkeley.